Russian Neoclassical/Romantic Painter, 1799-1852,was an internationally renowned Russian painter. He is regarded as a key figure in transition from the Russian neoclassicism to romanticism. Born of French parents in Saint Petersburg, Carlo Brulleau (as his name was spelled until 1822) felt drawn to Italy from his early years. Despite his education at the Imperial Academy of Arts (1809?C1821), Briullov never fully embraced the classical style taught by his mentors and promoted by his brother, Alexander Briullov. After distinguishing himself as a promising and imaginative student and finishing his education, he left Russia for Rome where he worked until 1835 as a portraitist and genre painter, though his fame as an artist came when he began doing historical painting. His best-known work, The Last Day of Pompeii (1830?C1833), is a vast composition compared by Pushkin and Gogol to the best works of Rubens and Van Dyck. It created a sensation in Italy and established Briullov as one of the finest European painters of his day. After completing this work, he triumphantly returned to the Russian capital, where he made many friends among the aristocracy and intellectual elite and obtained a high post in the Imperial Academy of Arts.   Related Paintings of Karl Briullov :. | Briullov Italian Midday | Portrait of count matvei vielgorsky | Numa Pompilius and the nymph egera | Portrait of Mariya Arkadyevna Bek with her Daughter | Self portrait |
Related Artists:
Miguel Ximenez
painted Saint John the Baptist; Saint Fabian and Saint Sebastian in 1494
Lev Kamenev
Russian, 1833-1886 Russian political leader. A member of the Bolsheviks from 1903, he worked with Vladimir Ilich Lenin in Europe (1909 ?C 14), then returned to Russia, where he was arrested and sent to Siberia. After the Russian Revolution of 1917, he served as head of the Moscow soviet (1919 ?C 25). When Lenin became seriously ill in 1922, Kamenev joined Joseph Stalin and Grigory Y. Zinovyev to form the ruling triumvirate, attacking Leon Trotsky. In 1925 Stalin shifted his attack to Kamenev and Zinovyev, removng Kamenev as Moscow party head. In 1926 Kamenev was expelled from the party after conspiring with Zinovyev and Trotsky against Stalin.
Henri Toulouse-Lautrec
French Post-Impressionist Painter and Printmaker, 1864-1901 Henri de Toulouse-Lautrec, a direct descendant of the counts of Toulouse, was born on Nov. 24, 1864, at Albi. His eccentric father lived in provincial luxury, hunting with falcons and collecting exotic weapons. Henri began to draw at an early age. He suffered a fall in 1878 and broke one femur; in 1879 he fell again and broke the other one. His legs did not heal properly; his torso developed normally, but his legs were permanently deformed. Encouraged by his first teachers, the animal painters Rene Princeteau and John Lewis Brown, Toulouse-Lautrec decided in 1882 to devote himself to painting, and that year he left for Paris. Enrolling at the Ecole des Beaux-Arts, he entered the studio of Fernand Cormon. In 1884 Toulouse-Lautrec settled in Montmartre, where he stayed from then on, except for short visits to Spain, where he admired the works of El Greco and Diego Velazquez; Belgium; and England, where he visited Oscar Wilde and James McNeill Whistler. At one point Toulouse-Lautrec lived near Edgar Degas, whom he valued above all other contemporary artists and by whom he was influenced. From 1887 his studio was on the Rue Caulaincourt next to the Goupil printshop, where he could see examples of the Japanese prints of which he was so fond. Toulouse-Lautrec habitually stayed out most of the night, frequenting the many entertainment spots about Montmartre, especially the Moulin Rouge cabaret, and he drank a great deal. His loose living caught up with him: he suffered a breakdown in 1899, and his mother had him committed to an asylum at Neuilly. He recovered and set to work again. He died on Sept. 9, 1901, at the family estate at Malrome.